The Non-negotiable Writing Exchange

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What one thing would you give up to become a better writer?

For people dedicated to the craft, writing is an impactful part of their lives and identities. I mentioned in another post, “I acquired and honed skills to interpret and craft words, using a range of prose (and a tiny bit of poetry) to harness the resilient power of language for liberation and resistance.”

Endeavors to generate words can be powerful and empowering, making writing a tool and art form requiring commitment. 

Dedicated writers pick up their pens [or fire up their keyboards] to share their perspectives and stories. The better ones know that wordsmithing involves layers of composition, drafting, editing and revising—all of which require development. Only deluded writers think that their skillsets are fine and they don’t need to hone them. 

Two mistakes many new writers make are thinking that all writing is the same and it will not take that much work.  Continue reading “The Non-negotiable Writing Exchange”

Book Writing, A Numbers Game

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How many hours a day do you write? How long on average does it take you to write a book?

When I saw this week’s Open Book Blog Hop prompt, I laughed because it coincides with some realities I have had to face while participating in NaNoWriMo this month. The month-long writing challenge is meant to get writers to sit themselves down and finish a set goal during November.

Although I signed up for NaNoWriMo years ago, I had not participated. Why? That’s for another blog post. This year, someone encouraged to consider using NaNoWriMo as a tool to complete book four in the Brothers in Law romance series. Brandon and Hawwah want their story out there,  so I agreed.  I am half-way through the challenge and only have a little over 4k of my 50k goal achieved. I have been writing but not just the manuscript.

nanowrimo

Continue reading “Book Writing, A Numbers Game”

I Don’t See No Stinkin’ Writer’s Block

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How do you move past writer's block?

I never get writer’s block. I may say I do but not really. What I usually experience is more like a hurdle to clear and keep things moving. A basic definition of writer’s block is, “the condition of being unable to create a piece of written work because something in your mind prevents you from doing it.” Other definitions describe it as an inability to write—as if there a mystical wall keeping words stuck in the mind or a force imprisoning creativity. There are reasons why a writer can’t write, and it is not always psychological or due to “having something on your mind.”

Through years of academic, professional, teaching and coaching writing, I learned a few things about the ominous “writer’s block” and the external and internal factors that drive writers to fall back on what is ultimately an excuse, a justification, for a blank screen.  Covering everything in one post is not possible. So, I will highlight some prevalent ones.

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Internal Factors

Continue reading “I Don’t See No Stinkin’ Writer’s Block”

Character Building: I Made This

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What do you owe the real people upon whom you base your characters?

I may (or may not—I admit to nothing) base a character on someone I respect or despise, so I will have to be salty and sweet with the response to this week’s OpenBook blog hop post. Let’s start with the people I like.

Sweet

I’ve explained in a Black Glue Podcast interview how the Prophet Muhammad served as inspiration for the male characters featured in the Brothers in Law series.

I reflected on the Prophet (Muhammad’s) life and how he was as a husband … lover … someone out in the community and how he transitioned between those things. What he did when his women were mad at him, and what he did when his women were acting out. [The brothers in law] don’t act exactly like the Prophet, but there are characteristics each one of them has.

Simon is the one who keeps things at a level where it doesn’t get too bad. He doesn’t allow things to get to him as much.  Marcus is the alpha, alpha. He’s the leader. He expects things to happen the way he needs for them to happen because he’s progressing the nation. Adam is that inner reflection.

Continue reading “Character Building: I Made This”

LWL Podcast–Book Reviews: Author Drama

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LWL Widescreen (10)Book reviews can invigorate authors, but it is not all rainbows and sunshine. Negative reviews may drain and stress writers. In this episode, Lyndell talks about the need for anybody sharing their words to put reviews in their proper perspectives and avoid having them crush creativity.

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Continue reading “LWL Podcast–Book Reviews: Author Drama”

3 Books, 1 Author: Eclectic Reading that Feeds the Mind

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What are the best two or three books you've read this year?

This was supposed to be an easy question but not so much for me. I read a ton of different things over the course of the year. In addition to reading novels, I am always looking for books that will help me improve my writing skills as an author and writer.

I also am constantly gathering titles to read and analyze with my colleagues at the Muslim Anti-racism Collaborative. I am a strong proponent for life-long learning inside and outside of one’s professional spheres. My collection of books that help me develop as an anti-racism trainer, instructor, managing editor, and self-published author grew quite a bit this year. A few of them gripped me, so it is difficult not to mention any of them.

As usual, I will take the convoluted way to answer the blog hop prompt and include a shortlist of three of the best books I have read so far this year in fiction and nonfiction, connecting each to my life’s work. Continue reading “3 Books, 1 Author: Eclectic Reading that Feeds the Mind”

My Author Ego: It’s Big; Who’s Asking?

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Does a big ego help or hurt writers?

Ego is an often vilified human characteristic.  Regarding one’s self-image, confidence, and esteem, we all need some ego.  Without a healthy ego, a person can become easily manipulated and hesitant to take the risks needed to put herself out there and achieve life’s goals. Self-published authors especially need that last one in spades. 

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Authors take big risks by releasing their work into a world that may be unkind. Writing something that readers may arbitrarily skewer for a plethora of substantial and tedious reasons is damn scary.  I once had someone give my book a lower review because they thought I didn’t show how the main character was Muslim (the character wasn’t) and another because they didn’t like “all of the racism” in an interracial romance.

Yeah, exactly. It takes a humongous ego to read helplessly while people slice and dice away at something that took blood, sweat, and tears—I am not exaggerating—to create.  Continue reading “My Author Ego: It’s Big; Who’s Asking?”

Research – A Key Element to Storytelling

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What kind of research do you do, and how long do you spend researching before beginning a book?

I spend a lot of time researching all kinds of things for various writing projects. I need to research curriculum development and pedagogical methods for my work with the Muslim Anti-Racism Collaborative. I just spent the past few days hitting Google for historical and cultural research while taking part in an anti-racism workshop.

My job teaching at the college and romance scholarship also requires time researching. Before leaving for Chicago, I looked for additional sources as I edited an essay about African American Muslim romance fiction (yes, it’s a thing) and how female protagonists are othered. It is interesting how Muslim authors use the other woman trope in love triangles.

Focus, Lyndell. Okay.

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It may seem that so many demands will make research a tedious exercise. The opposite is true for me. Continue reading “Research – A Key Element to Storytelling”

Why Seasons Matter in Fiction

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Do your stories and worlds reference seasons and do they play into the plots of your books?

Seasons provide important time elements to a story’s plot. The environment in which characters interact is significant in setting the tone and helping readers keep track of how much time has passed between plot points.

Time passage within a novel can be large (days, months, and years) or small (a few moments or minutes), and all of it can affect the story’s pacing, grabbing readers’ attention or losing it. A lot of my novels involve events requiring longs periods of time to pass from the book’s beginning to the end.

Anchoring Time

Continue reading “Why Seasons Matter in Fiction”

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