#MFRW Author: Me, Myself, and The Story-Authors in Their Narratives


read-3048651_1920Putting yourself in the story.

Considering stories are products of writers imaginations, it is hard for anyone to say that they don’t put themselves in their stories.  A good plot, messaging, and character personality requires deep reflection. A simpatico relationship with characters is also a must, so all authors become invested in the narrative at some level.

However, that doesn’t mean that every author injects themselves as an actual character. I have yet to do so, although other people are fair game. But, that’s not the point. I have to admit, that there are elements of my experiences in my stories. Continue reading “#MFRW Author: Me, Myself, and The Story-Authors in Their Narratives”

Problems when Working a Scene

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What was your hardest scene to write?

The challenges that present when writing a scene vary from one writing project to another. A manuscript can have multiple difficult scenes taxing authors, making time drag as the cursor flashes or notebook page sits untouched, leaving them all kinds of frustrated.

Scene troubles may involve persistent issues with the plot’s structure, or they may be thematic and restricted to one manuscript. Continue reading “Problems when Working a Scene”

Why Seasons Matter in Fiction

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Do your stories and worlds reference seasons and do they play into the plots of your books?

Seasons provide important time elements to a story’s plot. The environment in which characters interact is significant in setting the tone and helping readers keep track of how much time has passed between plot points.

Time passage within a novel can be large (days, months, and years) or small (a few moments or minutes), and all of it can affect the story’s pacing, grabbing readers’ attention or losing it. A lot of my novels involve events requiring longs periods of time to pass from the book’s beginning to the end.

Anchoring Time

Continue reading “Why Seasons Matter in Fiction”

3 Writing Traps for Newbies

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What are common traps for aspiring writers?

Writing is a process rich with possibilities for errors. Anyone taking to the pen and pad or keyboard to share their stories and experiences with the world will inevitably trip, fall, get crushed, or end up a blubbering puddle of frustrations and regrets.

Count on all the above because our humanness makes it inevitable. Things will get messy just like us.

I spent years as a writing coach at a four-year college, where I saw students making the same mistakes and helped them hone their skills. When I ventured into professional writing as a freelancer, the easy transition from academic writing surprised me. I became popular with some online Muslim publications (I only write for them for personal reasons) and launched a cultural platform. Save for a few shifts in tone, I had it easy.

I didn’t encounter many bumps in the road of my journey as a writer until I wrote a novel. My strong writing background did not secure me from making some newbie mistakes, and I found many other authors who expressed that they made them. 

Continue reading “3 Writing Traps for Newbies”

Pens, Knives, and Guns: The Power of Crafting Words

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What was an early experience when you learned that language had power?

I think humans have an innate appreciation for the power contained in language. We have a need to communicate from the moment we leave the womb. Crying, whimpering, whining and cooing are all methods that infants have to convey their feelings and desires.

It can be so strong that many mothers and primary caregivers learn the meanings behind each utterance coming from the tiny person, finding it almost impossible to ignore. The impact of our children’s infant cries frazzled each one of my nerves, motivating me to satisfy or wreak havoc on whatever or whoever was upsetting them. People didn’t start calling me Mama Bear for nothing.

Yeah, kinda like that. So, knowledge about the power of language is something intrinsic. We know its influence on those around us. When people are past the infancy, “cry to get what I want stage”, it is important to recognize how compelling words can be on one’s mindset and those around them, especially words strategically used to convince, inspire, anger and degrade—some of which may become branded in one’s psyche, influencing their internal dialogue and actions. Continue reading “Pens, Knives, and Guns: The Power of Crafting Words”

#OpenBook – “Masculine Energy” and The Woman Writer

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What’s the most difficult thing about writing characters from the opposite sex?

I remember listening to a male lecturer talk about women, men, and gender relations. One thing that stuck with me was when he went on this diatribe about women who have a lot of what he called “masculine energy.” He waxed for what seemed like forever about how a woman who dares to have a lot of masculine energy is a problem because she will always be ready to challenge a man. He claimed that such women are too assertive and authoritative and proclaimed that he could tell when there is such a woman in his midst.

After I laughed my…head off, I cringed a little at the incendiary generalizations he made, that make life hell for women. I won’t go into an analysis of how his language dangerously allocated certain human behaviors like confidence, ambition, critical thinking, power, and resistance as masculine and categorized women embodying any of these characteristics as “manly” deviants straying from their feminine nature.

I won’t highlight how someone privileged by gender can be guilty of reinforcing oppression by demonizing those struggling against their subjugation, discrediting them as misfits. Really, men need to stop that nonsense, especially those disguising themselves as progressive but are actually just as chauvinistic as their fellow misogynists.

Continue reading “#OpenBook – “Masculine Energy” and The Woman Writer”

#MFRW- Character-Driven Plot Building

blacksmith-3141724_1920#MFRW Plotter or panzer, and why?

I tend to be a character-driven writer. I have a bunch of people stomping around my head demanding that their stories be told.

Yeah, kinda like that. Because they are at the base of my writing, I usually have to structure a plot based upon what the main protagonists in a story want, the obstacles that get in the way with that, and how they change from the beginning to end of the plot. So, an organic plot structure is at the crux of my writing.

I also have a drill-sergeant for a writing coach, who doesn’t believe in just writing and letting a story evolve, at least not at the fundamental level, which plotting a story mainly involves. I think that is what confused me at first, and I also see it when I mentor writers. I had the tendency to think of details as essential to structuring a plot. They aren’t, and once I got used to sifting through them to the core components of a story, I have become better at having a solid plot on which to build it. Continue reading “#MFRW- Character-Driven Plot Building”

Favorite Character Question is Major Author Bait

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From all the characters you’ve created, which is your favorite and why?

What kind of f—

Okay, I smell a setup. My kids tried asking me something like this. It didn’t work then either. Which one of my characters got you? Was it Raad?

It was Raad. He’s so narcissistic. It’s bad enough he wrecked my concentration until I got his characterization finished. Now, he’s gotta try to force some sick confession out of me? Sit your butt down, Raad, and wait for me to release Building on Broken Dreams to show your…self to the world.

giphy4

I said to sit down!

Maybe it was Zaida. Continue reading “Favorite Character Question is Major Author Bait”

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